Grand Finale!
13.11.2011
Awesome finale, my dear little orphans. Oh, yeah....
An amazing popular success, fondness. An unexpected sold out, the smell of something real good. Beyond the bloodiest of our expectations, To Horror Film Fest 2011 offers emotions to everyone, it has grown big. It is preadolescent and we and you raised it, crew, authors and audience. You deserve all the credit.
While you were waiting for your champion, the orphan among all the orphans, the circus of To Horror got crowded by bizarre characters: the performing make-up of Zombie KB, started from the afternoon in trasforming the Saturday afternoon' s stroll across the streets of the heart of Turin in a parade of revenants, stopping doing make-up to dozens of guests, bystanders and fans only late at night.
Ramblers who crossed the path of the experiments of mentalism and fakirism of the Friends Of Magic while on the stage of out Fest took place the last one of our meetings: the Maestro Michele Guaschino brought us into the secret world of make up fx, with a lesson which started from the dawn of the film make-up, through the great masters of this skill.
In prime time, the seventh and last movie of the Feature Film Competition: MORITURIS by Raffaele Picchio, the umpteenth sold-out, which was repeated on Sunday November 13th at 9 pm.
The last titbit of the exhibition of Robert Morgan and the third episode of Inglorious Hunterz, by the "phantom" Baggiarini, who showed up and disappeared in a flash of sulphur, and everyone was ready for the grand finale.
The prize-giving was full of emotions, as usual for authors and crew: the loving words of Matt Farnsworth and Dianne Foster, winners of the Margheriti Prize, the threat of "coming back to get us" by Marcus Miller, the orphan killer in mask and barbed wire who came out of nothing from the shadows of the arcades of Turin to make his way until the stage.
And the astonishment of Claudio Bronzo and Lorenzo Lotti, producers of THE GERBER SYNDROME, and the joy of the authors of THE HOUNDS and MORITURIS, respectively awarded with another Special Mention and with the Anna Mondelli Award.
The ovation for the winner: SENNENTUTSCHI by Michael Steiner, the dark fairytale which put a spell on you, tourists of the mirror, and the arena-like applauses for the winners of the Short Films Competition: DARKNESS WITHIN, BRUTAL RELAX, NUIT BLANCHE, which were watched again in a row before the jump into the hyper-space which brought us into the worlds of the cosmic melodies of Space Aliens From Outer Space, ultil the dj set of our beloved Pennoire, by this time resident "djettes" of the fest. What was called a trip...
And you, my dear little orphans.
Happy like it was All Saints' Day, you embraced us with your warmth and your cheerful invasion. You crowded the box office, you patiently beared the delays, you played the game we set up for you. You were there and you were the party. You made us feel a bit bigger, and you always make us feel good. And then there's only one word: thanks.
What's left, when the curtain drops, is the smell of the spun sugare which soaks the air, the brawny man makes coffee, the red-headed girl at the counter massages her own tired feet. A magician get ready to sleep, the fakir to live. Tomorrow the marquee will pack off and we will set off again. The wounds are healed and the the bottles are uncapped, the bones get the well-deserved rest and the make-up is removed. Tomorrow, there's time. Tomorrow, the next show.
In the meanwhile, we savour what the night passes and passed from mouth to mouth, like a sip of Amontillado, like a whisper or a mantra.
The Cleaver. The Cleaver Rules!
Massimiliano Supporta
Art Director TOHorror Film Fest

THE WINNERS of TOHorror Film Fest 2011
FEATURE FILMS COMPETITION
(Jury: Andrea G. Colombo; Gabriele Farina; Giovanni Minerba)
The Cleaver to the BEST FEATURE FILM:
SENNENTUNTSCHI by Michael Steiner
For the maturity of the work, in every narrative and technical section, and for the originality of a not-inane story and a charming setting. With a masterly arranged finale with an overturning of points of view and a perfect and fast-paced rhythm.
SPECIAL MENTION:
THE GERBER SYNDROME by Maxì Dejoie
Because the movie has a very plausible structure, played with the right pitches. Thought it pays the penalty for a clear lack of budget, it has got the courage to go across unusual ways in the film market.
SHORT FILMS COMPETITION
(Jury: Riccardo Fassone; Andrea Lanza; Donato Sansone)
The Cleaver to the BEST SHORT FILM:
DARKNESS WITHIN by James Kendall
For the unusual creation of a tangible feeling of paranoia and anguish; a merciless critic to the idea of neighbourly relations.
SPECIAL MENTION:
BRUTAL RELAX by Adriàn Cardona, Rafa Dengrà, David Munoz
A delirium of effects, a video which is excessive and loud. Entertainement at the state of pure perfection.
SCREENPLAYS COMPETITION
(Jury: Alejandro De La Fuente; Giancarlo Marzano)
The Cleaver to the BEST SCREENPLAY:
INSIDE THE WALL by Noemi Pulvirenti
It recreates a claustrophobic setting, with all its strenght, keeping the tension during the entire development of the story, thanks to the skillful construction of an horror grip which is strongly psychological.
SPECIAL AWARDS TOHORROR FILM FEST
ANTONIO MARGHERITI AWARD – The Cleaver for the CRAFTMADE CREATIVITY:
THE ORPHAN KILLER by Matt Farnsworth
A passionate and excessive homage to the 80’s slasher movies, a fire which burns in a black heart. The first movie in the world produced and issued through the Web. A pioneer.
ANNA MONDELLI AWARD – The Cleaver for the YOUNG TALENT:
MORITURIS by Raffaele Picchio
The big surprise of the italian fantastic cinema of this year, a movie which brings the italian horror back to the bright old days: violent, dirty and cruel. A withering debut, a talent to follow
EXPERIMENTAL & MUTATIONS AWARD – The Cleaver to the AVANT-GARDE VIDEO:
NUIT BLANCHE by Arev Monoukivan
Visionary and poetic, a perfect mix of digital techniques which are functional to the story. APoetico e visionario, un mix perfetto di tecniche digitali sottomesse al soggetto. A warm tale and a dreamy glance towards a time which has never been.
SPECIAL MENTION:
THE HOUNDS by Maurizio and Roberto Del Piccolo
For the courage and the determination in building the production of the movie, for the stylistic coherence and the not-inane taste with which the narrative imagery has been built.
BEST ZOMBIE 2011:
Marco Chiornio
He seems alive...

